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It should be obvious by now that the question of whether we can separate a popular actor or filmmaker’s off-screen life from his on-screen art doesn’t have a one-size-fits-all answer. In the case of Mel Gibson, what we saw a number of years ago — first in his anti-Semitic comments, then in leaked recordings of his phone conversations — wasn’t simply “objectionable” thoughts, but a rage that suggested he had a temperament of emotional violence.
Bullets rip through helmets and chests, and half-dead soldiers sprawl on the ground, their guts hanging out like hamburger.
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So when I had the chance to see a late-planned viewing at the London Film Festival, I jumped at the chance (FYI, Ryan Gosling came to the screening as a surprise post- film Q&A attendee despite not appearing at the Headline Gala the night before so I was chuffed!
)The premise of the story is that Stone is a young actress who has moved to LA to wait tables while auditioning to try and 'make it', while Gosling is a jazz purist ("Anyone who doesn't like jazz just doesn't have the right...context", he insists) who plays the piano in bars to make a living and dreams of opening his own Jazz bar.
Like those two movies, “Hacksaw Ridge” is the work of a director possessed by the reality of violence as an unholy yet unavoidable truth.